Friday, August 2, 2013

LOCAL INGREDIENT: Burrata


It's become a newfangled menu staple in every Italian restaurant worth its sale, of late, and even higher-end specialty markets and Italian grocery stores sometimes carry it. But burrata is one food item that really benefits from being consumed in its area of production. And that's Puglia, Italy.


The WHAT: Let's first explain what burrata is, by explaining what it's not. This is not your ordinary mozzarella cheese. It has a creamy, liquid center that some people claim is melted butter, simply because the word in Italian translates to "buttered." It is not. It is, in fact, the "ritagli" or unspun curds from the mozzarella-making process, when the warm cheese is stretched into form. Instead of being formed into a ball, like mozzarella, the burrata is stretched into a pouch, and the ritagli and fresh cream are poured into the center of the pouch. It's then gathered at the top and pulled together like purse strings, and closed shut to keep the soft insides from spilling out. The original version is made with water buffalo milk (same as mozzarella di bufala), which has about 40% butterfat, and so is much more rich and flavorful than regular cow's milk. Believe me, this makes a HUGE difference, both in flavor and consistency. Once the burrata is formed, it's generally wrapped in a couple of leaves of the asphodel plant (cousin to the leek). The thinking here is that the leaves will only remain green as long as the burrata is fresh: generally advised, that's 24 hours, and after 48, the cheese is past its prime. This covers the WHEN.


Which brings us to the WHERE. This cheese comes from the region of Puglia, the heel of the boot of the Italian peninsula. In Rome, many shops would get supplies of fresh burrata trucked in every day, just as we'd get fresh mozzarella di bufala from the Campania region -- often still warm from the cheese-making process. I've tried burrata here in the States, on many occasions and from various producers, from numerous food markets and at several restaurants. It never even comes CLOSE to what I've eaten in Italy, and of course, specifically close to the source, in Puglia itself. Yes, large producers in the U.S., like BelGioioso (based in Wisconsin) approximate these Italian specialty cheeses. But they don't use buffalo milk for their burrata, and the mass-produced aspect is in great contrast to the artisanal process of its origin, as well-made as it may be.

So, my advice? Head to Italy for a taste of the real thing, burrata in its place of origin. Puglia is lovely this time of year...






Friday, July 19, 2013

RECIPE: Saute' di Cozze (Sauteed Mussels)

In the heat of July, when stepping outside during sunlight hours seems like asking too much, we tend to eat more than our fair share of salads and cold foods. But sometimes, we want something more, something actually cooked -- albeit quickly, so as not to warm up our kitchens too much. Preparing a quick, easy seafood dish seems about right. 

This mussel dish, Saute' di Cozze, is just perfect: it's a taste of the sea that's light and flavorful and only takes a few minutes to prepare. It's great as an appetizer on its own, or as a main course (maybe with some homemade fries?), and can even be tossed with some pasta for a filling primo piatto. Add some chopped tomatoes for color and sweetness, a pinch of saffron for a southern French twist. Substitute the parsley with cilantro for the Portuguese version of this dish, or grind a lot of black pepper into the mussel pot as they're cooking for an Italian variation called pepato di cozze. There's lots to play with here. Enjoy it and make it your own -- but make it, pronto. The perfect summer seafood saute' is in your future!


Saute’ di Cozze 
Serves 4 people


4-5 TBS. extra-virgin olive oil
1-2 cloves of garlic, peeled and left whole
5  lbs. fresh mussels
½ cup white wine
Bunch of parsley (Italian flat-leaf), chopped finely
Pinch of red pepper flakes
Salt + pepper to taste

- In a large bowl/pot of water, add the mussels and a healthy bit of salt or cornmeal. Let sit for 10 minutes. Then, using your hands, pick up a handful of mussels in each hand, lift them out of the water a bit, and scrub together using the mussels themselves to clean the outer shells. Repeat several times, changing the water to clean.

- Drain mussels, and using your fingers, quickly peel away the “beard” (the hairy-looking thing hanging from the lip of the mussel shell). It will require a quick yank, so hold the mussel closed with one hand, and quickly rip off the beard with the other. Do this on all the mussels that have beards.

- Heat a large skillet over medium heat, and add the olive oil and garlic to cook for one minute.

- Add the mussels and stir a bit. Add the white wine, the parsley, and cover, cooking over medium-low heat for 3 minutes. Add the chili flakes and salt and pepper to taste, and continue cooking until the shells of the mussels have fully opened. Mix to make sure all are opened, adding olive oil and/or salt & pepper to taste, and turn to coat thoroughly. Serve at once with nice, crusty bread.



Friday, July 12, 2013

QUICK BITES: Sgroppino

Il Bel Paese in the summertime: there's no place quite like it on earth. When the temperatures rise in Italy, we tend to spend entire leisurely days in the sun, and close to water. Around Rome, the quickest escape is to the beaches of Ostia and Torvaianica, only about 15 miles from the heart of the city.

One of my favorite memories of life in Italy is the feeling I'd have, returning from a day at the beach: suntanned skin, salt in my hair, I'd clean off under a quick shower and then dress and head out to dinner with friends. This meal needed to be light and fresh, so as not to weigh me down in the intense Italian heat and humidity. Inevitably, this meant seafood. And nothing is more refreshing after a meal of fish tartare and carpaccio, pasta alle vongole or branzino baked in a salt crust, than a sgroppino served in a frosted champagne flute.


For the record, I'm not big on Italian desserts. There are only a handful in the repertoire anyway. And I've always believed in the idea of cocktail-as-dessert: it makes sense, aids in the digestion process, and keeps the drinks flowing even after the meal is technically over. The sgroppino is this wonderful combination of refreshing dessert with liquor that acts as a digestivo: perfect! Of course, like any Italian invention there is the original (said to hail from the area around Venice, also where tiramisu' originates -- quite the elegant epicures, those Venetians!)...and then there are the other versions. A true sgroppino should not be a drink with a ball of sorbetto plopped into it. Nor should it be a 'slushie' with a champagne floater. It is the perfect equilibrium of lemon sorbetto (that means it's made without dairy) + vodka + prosecco. Punto. 


Now, there are those who add a bit of limoncello to the recipe, and actually it's an addition that I don't protest, since I am of the school of "everything is better with limoncello." It's kind of a southern Italian tweak to the northern original, and I can't argue with that. The lemons from the Amalfi coast are big and beautiful and lend their particular variety of concentrated citrus flavor to the liquor, and therefore any drink containing it. But on the whole, the basic recipe, on which it's hard to improve, is comprised of just three ingredients. And like Italian cuisine, with Italian drinks, the high quality of the handful of ingredients is of the utmost importance.


1. Sorbetto al limone: You should use either homemade sorbet or a brand you trust to use all-natural ingredients, without chemicals or loads of stabilizers. Ciao Bella and Il Laboratorio del Gelato are great Italian-style options available stateside. You'll want to make sure this is thawed a little bit so it can be mixed with the other ingredients. Let it sit out at room temperature for 15 minutes before using it.


2.) Vodka: Of course this should be high-quality too, even though it's going to be mixed with other ingredients. Think well-produced, clean vodkas like Belvedere, Ketel One, or a locally-produced option. Although I'm a fan of Grey Goose, I left it off of the list because it's French...out of respect for the Italians, who would prefer not to have the French mixed up in their Italian cocktails, grazie.


3.) Prosecco: This is not sparkling wine, not spumante, even -- it's prosecco. That's the name of the grape and the name of the drink made from that grape, and that's what should be used in this cocktail/digestivo. It's drier, crisper than other sparkling white wines and since it's made in the Veneto, it goes into this Veneto-created mix. I adore most prosecchi, but Nino Franco happens to put out an excellent product. He's also a cool guy -- I visited his estate and tasted his product over the course of 30-plus years, and it's incredibly well-made. Bottoms up.


Once you have all of these ingredients at the right temperatures (sorbetto softened, vodka and prosecco well-chilled), you mix them together, either with a whisk in a chilled bowl, or quickly in a blender. E basta. It should be the consistency of a slushie or a loose granita: liquid enough to drink from the glass, but thick enough to be able to use a spoon as well. Serve in frosted champagne flutes or tall shot glasses -- even an icy martini glass would work, though it's not classic. The important thing is that the consistency is right, you can taste the alcohol...and that it's consumed subito, right away.



Buon estate a tutti! Happy summer, everyone!





Friday, June 28, 2013

LOCAL INGREDIENT: Gambero Rosso

Il Gambero Rosso. The Red Prawn. It's the name of Italy's most important dining and wine guide (and now culinary center and TV cooking channel). It's the name of the legendary osteria in the story of Pinocchio, to which the Fox and the Cat lead Pinocchio, where they eat a huge meal. And most importantly, it's the variety of red shrimp in the Mediterranean, especially common off the coast of Sicily and southern Italy, that's one of the most delicate and delicious flavors that exists in these waters. The gambero rosso del Mediterraneo (Aristaeomorpha foliacea) is a fiery crimson color before it's cooked, and remains this bright red after it's been exposed to heat, unlike most other shrimp that turn from gray to orangey-pink.  

For me, the first time I tried gamberi rossi in Italy, it was love at first sight. Its flavor is much more delicate than that of any other shrimp, its color beautiful on the plate. This was my entrata into understanding the importance and beauty of eating simply-prepared, high-quality local seafood that one might not be able to find in other parts of the world. I've never seen the gambero rosso in America, though perhaps some upscale seafood eateries are importing it somewhere stateside. But it's a go-to whenever I'm in any coastal area in southern Italy. I seek it out. I always order it when I find it on a menu. I prefer it uncooked. And since the Mediterranean red prawn lives at a depth of between 200 - 1000 meters beneath the sea -- deeper waters tend to be cleaner waters -- its wonderfully delicate flesh is amazing when eaten raw.

The flavor is briny and lacks the iodine punch that some shrimp deliver, and the texture is melt-in-your-mouth. When I was in Puglia recently, in the southernmost part of the heel of the "boot" of Italy, my friend and I headed to Gallipoli, an adorable whitewashed-and-pastel town surrounded by sandy beaches with Caribbean-colored water. We headed into town after a day at the beach, to get a gelato and nose around the shops. And as we walked up to the gelateria, along the water, I saw below us a small piazza where fisherman were coming in with their catches, and tables were being set up for a makeshift evening fish market. 
My friend Monica, who moved down to Puglia from Rome with her husband Marcello, and has lived in the area for a few years, had told me earlier that Gallipoli was renowned for its gamberi rossi -- possibly the best on the Italian peninsula (I'm excluding the island-region of Sicily, as they'd claim to have the best on the planet!) Naturally my priority was to head to the fish market directly after finishing our gelati. There, among the varieties of fish and various sizes of calamari, were the beautiful ruby-colored shellfish I'd been hoping to find. I asked how much they cost, knowing that their price tag in Rome can run as high as 40 euros per kilo. "Dodici" said the fishmonger, and I tried to hide my smile. 12 euros, less than 8 U.S. dollars a pound! I bought a kilo and we headed back to our friends' house for aperitivi. When my friend Jessica had asked earlier in the day what a gambero rosso tastes like, I told her it was delicate and rich, basically "the burrata of the shrimp world" -- and having feasted on burrata a-plenty of late (the cheese originated in Puglia), she knew exactly what that meant. 
When we got back, our 4 friends were already sipping vino rosato poolside in the cortile. So I quickly showered and dressed for dinner, then headed directly to the kitchen to prepare the red shrimp for us. This is a simple preparation that highlights the shrimp's rich flavor and texture, leaving it uncomplicated and allowing you to taste the true gambero rosso flavor. 

To prepare: I cleaned the shrimp, removing the shells (don't discard! Keep the heads and shells to make a wonderfully flavorful shellfish stock!)...and cleaning out the intestinal line with a knife. Then I split the shrimp in half lengthwise. I rinsed the shrimp very briefly under water and dried them before spreading them out on two plates to make a layer of what is essentially shrimp carpaccio. Then, I very simply squeezed a bit of fresh lemon over top (and if I'd had a microplane, I would've added some zest, too), topped with some herbed salt (you can mix sea salt or kosher salt in a food processor with your favorite herbs to make your own), and sprinkled some of the wonderfully buttery and green Pugliese olive oil on top. And that's it. We enjoyed it with some local rose wine, and it was the perfect treat to accompany our lively conversation as the warm southern Italian sun sank behind the walls of the courtyard. 


Sunday, June 16, 2013

A Toast To Dads, And To You, Patrick!

I met Patrick just weeks before his 27th birthday. Looking back on that now, it amazes me: we were both so young and optimistic and the city of Rome held so much potential for us. We'd make it our oyster. And for years, it felt like we had done just that.
 
Being back in Italy this year for another June, another one of Patrick's birthdays, without him -- it feels strange, surreal. It's been two years since we organized his memorial party here in Rome, and though time does help soften the pain of missing him to some extent, these vie and vicolipiazze and passaggi are imbued with the history of all of us. Patrick was such a big part of my life in Rome that it always seemed half-empty to me whenever he wasn't here. 


Today, I'm in Florence as I write this. Firenze: the beautiful, small gem of a city where I first lived as a student. It's the place that made me fall in love with Italy, and Italian food and culture and art and the people. And it's where Patrick's older sister still lives with her family, and where his mother Barb lived for many years while we were all in Rome. We'd spend Christmas Eve in chilly Florence with Barb and Erica and the family, enjoying some home cooking and exchanging gifts, drinking eggnog (my first taste of the dangerous elixir!), and laughing into the wee hours. Of course these streets, too, hold countless memories for me. It's strange to think how just being in Florence or Rome makes me about as happy -- both content and elated -- as I can possibly be, and at the same time, as forlorn as I can imagine feeling. 


Patrick and his boys


Still, when I think of June in Italy, Patrick embodies this time and place. His birthday, and now Father's Day, are bittersweet holidays, as I'm reminded of what a wonderful father he was to his two boys, how he saved them and did everything he could to give them a wonderful childhood in the time that he had. And I'm reminded of the birthday celebrations we shared on many June tenths in the warm heat, and on the numerous terraces of Roman friends, and in the back streets of Trastevere (indeed, it felt like "our" neighborhood, as if we owned it).


The gang at Patrick's farewell Roma dinner
I fondly remember the farewell dinner I prepared for Patrick when he decided to leave Rome and move back to the States. It was a series of Patrick's favorite dishes -- simple, hearty fare like steak and potatoes and salad. Lots of cocktails, of course. And for dessert? I used a little creativity to come up with something that said Patrick, in a nutshell: Jack Daniels ice cream, with a coke-and-chocolate sauce. Jack and coke was his drink of choice. 
Patrick, guitar, bottle of Jack
I kept a bottle of Jack at my apartment on permanent "rotation" for our many happy hours we'd have each week. So I thought it was only right, in the heat of the approaching summer, that everyone share Patrick's drink of choice for dessert. With a cherry on top.

Try it. It's actually delicious, and a perfect way to toast to Patrick -- to wonderful Junes remembered, and to beloved fathers the world over, who deserve to have their cocktail and eat it too, in one delicious cup.



JACK-AND-COKE SUNDAE

For the ice cream:

3 cups whole milk
1 cup heavy cream
1/2 cup sugar
6 egg yolks
1/3 cup Jack Daniels whiskey
pinch of salt

-In a sauce pot, heat the milk, cream, and 1/4 cup sugar over low heat until bubbles form around the edges.

-In the meantime, whisk the egg yolks with the remaining 1/4 cup sugar.
-When the milk mixture starts to simmer, pour half of it into the yolk mixture, and whisk quickly to incorporate (you're trying to avoid scrambled eggs here). 
-Pour that mixture back into the sauce pot, whisk to incorporate, and heat on low, stirring with a wooden spoon, until the mixture thickens enough to coat the back of the wooden spoon.
-Take off of the heat, add the Jack Daniels and the salt, and stir.
-Set the sauce pot in an ice bath to cool. Once cooled significantly, cover the surface of the cream mixture with plastic wrap to prevent a skin from forming. Place in fridge overnight.
-The following day, spin cold mixture in an ice cream maker and freeze.

For the coke-and-chocolate sauce:

half liter of Coca Cola (not diet!)
6 ounces of dark or semi-sweet chocolate, in chips or chopped

-In a small pot, heat the coke and reduce to 1/3 of its volume.

-Add the chocolate, cover for a minute, then whisk to smooth.

Serve the Jack Daniels ice cream with the warm coke-and-chocolate sauce and top with a maraschino cherry. Cin-cin!





Friday, May 31, 2013

Portuguese Pasteis de Nata + Recipe


How good could it possibly be? I mean, it's a dessert that contains no chocolate. So went my thinking, after all I'd read and heard about the Portuguese cooked custard and filo-thin pastry-crusted tarts, pasteis de nata


I'll admit, I was smitten with the food in Lisbon, at first bite. In my experience, the food in Portugal -- the basic, raw ingredients -- have more flavor than one would ever expect, a phenomenon with which I was quite familiar from all of my time spent eating up and down the Italian peninsula. Call it culinary terroir. I ate a simple boiled potato in a simple casual lunch spot, served alongside a piece of carrot, broccoli florets, cabbage, and a few octopus tendrils...and it was one of the most flavorful potatoes I've consumed, all earthy, spuddy goodness. Ditto its veggie and aquatic sidekicks. 
I dined on some salted and grilled sliced Iberian pata negra pig for dinner, and it was the single best piece of pork I've ever eaten (and I've even butchered my own locally raised hog in Italy). Even the plump, smoky grilled sardines we bought from street sellers during a patron saint festival were packed with briny flavor like nothing else. But somehow, the idea of these little pastries didn't thrill me.


So one Saturday afternoon in June, my friends and I hopped onto Lisbon's canary-yellow streetcar to head out to Belém, the western Lisbon neighborhood that boasted many tourist sites and a gorgeous view of the Teja River, the other side of the city, and west to the Atlantic. We shared a delicious seafood lunch outdoors in the shade, walked along the water, visited Cathedrals and towers and the tomb of Vasco de Gama.
At the end of the afternnoon, we stopped in to the Antiga Confeitaria de Belém,founded in 1837. I'd been told by various sources that this was a must-try. And the thing to get, of course, was the pastel de nata, here called pasteis de belem, as they were supposedly invented in a monastery a few doors down from this pastry kitchen. So, we waited on the ever-present line. We pointed to the pastries and held up 4 fingers, and the mandarin-sized pastries were put on cardboard, wrapped in the signature blue-and-white paper, and placed in a bag with some packets and napkins. We got back on the tram and once I sat down with the bag on my lap, I realized the pastries were still warm from the oven. This started to entice me.


We returned to our apartment to relax, shower, and freshen up before cocktail hour, World Cup viewing, and dinner. We unwrapped the pastries, and I admired their eggy yellow custard fillings and golden, blistered tops. I realized the colorful packets they included in our bag were powdered sugar and cinnamon. We sprinkled their contents on top of the pastries and as I picked up the pastry, some of its crispy shell flaked off and fell to the plate. And then I had a bite....and another. A few more bites and the pastry was gone. I looked up at my friend who had just devoured her pastry as well. And then my friend Matt, who wasn't interested in trying them. Wow. They were ethereal, light, full of flavor and the crackling outer pastry shell was an amazing textural contrast to the sweet, creamy custard contained within. Matt simply said "It looks like I may be hopping on the trolley tomorrow morning to get these for breakfast, ay ladies?" At the very least! I replied: "I'm thinking of sending you back right now." What a treat.

Though nothing beats these pastries fresh out of the oven of Antiga Confeitaria de Belem, the recipe below has been adapted from NYC's Alfama restaurant, and approximates the pastry. You know, a placeholder while you plan your trip to Lisbon...

Portuguese Pasteis de Nata Recipe

The secrets to a crispy, flaky pastry are to make sure the butter is evenly layered, all excess flour is removed, and the dough is rolled very thin and folded neatly. A thermometer will help you to accurately gauge the custard. 
Note: Because home ovens can’t match the heat of those at the Antiga Confeitaria de Belém, where these treats were first made, your pasteis may not get the beautiful golden color like those in the photo. They'll still be delicious, though, and best eaten warm, same day as they're made.

Special Equipment: a mini-muffin tin with 2-by 5/8-inch wells
  • 2 H, 30 M
  • Makes about 40 pastries

Ingredients

For the dough

  • 2 cups minus 2 tablespoons all-purpose flour
  • 1/4 teaspoon sea salt
  • 3/4 cup plus two tablespoons water
  • 16 tablespoons unsalted butter, room temperature, stirred until smooth
For the custard
  • 3 tablespoons all-purpose flour
  • 1 1/4 cups milk, divided
  • 1 1/3 cups granulated sugar
  • 1 cinnamon stick
  • 2/3 cup water
  • 1/2 teaspoon pure vanilla extract
  • 6 large egg yolks, whisked
  • Powdered sugar
  • Cinnamon

Directions

Make the dough:
  • 1. In a stand mixer fitted with a dough hook, mix the flour, salt, and water until a soft, pillowy dough forms that cleans the side of the bowl, about 30 seconds.
  • 2. Generously flour a work surface and pat the dough into a 6-inch square using a pastry scraper as a guide. Flour the dough, cover with plastic wrap, and let it rest for 15 minutes.
  • 3. Roll the dough into an 18-inch square. As you work, use the scraper to lift the dough to make sure the underside isn’t sticking.
  • 4. Brush excess flour off the top, trim any uneven edges, and using a small offset spatula dot and then spread the left two-thirds of the dough with a little less than one-third of the butter to within 1 inch of the edge.
  • 5. Neatly fold over the unbuttered right third of the dough (using the pastry scraper to loosen it if it sticks), brush off any excess flour, then fold over the left third. Starting from the top, pat down the packet with your hand to release air bubbles, then pinch the edges closed. Brush off any excess flour.
  • 6. Turn the dough packet 90 degrees to the left so the fold is facing you. Lift the packet and flour the work surface. Once again roll out to an 18-inch square, then dot and spread the left two-thirds of the dough with one-third of the butter, and fold the dough as in steps 4 and 5.
  • 7. For the last rolling, turn the packet 90 degrees to the left and roll out the dough to an 18-by-21-inch rectangle, with the shorter side facing you. Spread the remaining butter over the entire surface.
  • 8. Using the spatula as an aid, lift the edge closest to you and roll the dough away from you into a tight log, brushing the excess flour from the underside as you go. Trim the ends and cut the log in half. Wrap each piece in plastic wrap and chill for 2 hours or preferably overnight.
Make the custard:
  • 9. In a medium bowl, whisk the flour and 1/4 cup of the milk until smooth. Set aside.
  • 10. Bring the sugar, cinnamon, and water to a boil in a small saucepan and cook until an instant-read thermometer registers 220°F (100°C). Do not stir.
  • 11. Meanwhile, in another small saucepan, scald the remaining 1 cup milk. Whisk the hot milk into the flour mixture.
  • 12. Remove the cinnamon stick then pour the sugar syrup in a thin stream into the hot milk-and-flour mixture, whisking briskly. Add the vanilla and stir for a minute until very warm but not hot. Whisk in the yolks, strain the mixture into a bowl, cover with plastic wrap, and set aside.
Assemble and bake the pastries:
  • 13. Heat the oven to 550°F (290°C). Remove a pastry log from the refrigerator and roll it back and forth on a lightly floured surface until it’s about an inch in diameter and 16 inches long. Cut it into scant 3/4-inch pieces. Place a piece cut-side down in each well of a nonstick 12-cup mini-muffin pan (2-by-5/8-inch size). Allow the dough pieces to soften several minutes until pliable.
  • 14. Have a small cup of water nearby. Dip your thumbs into the water, then straight down into the middle of the dough spiral. Flatten it against the bottom of the cup to a thickness of about 1/8 inch, then smooth the dough up the sides and create a raised lip about 1/8 inch above the pan. The pastry sides should be thinner than the bottom.
  • 15. Fill each cup 3/4 full with the slightly warm custard. Bake the pasteis until the edges of the dough are frilled and brown, about 8 to 9 minutes.
  • 16. Remove from the oven and allow the pasteis to cool a few minutes in the pan, then transfer to a rack and cool until just warm. Sprinkle the pasteis generously with powdered sugar, then cinnamon and serve. Repeat with the remaining pastry and custard. If you prefer, the components can be refrigerated up to three days. The pastry can be frozen up to three months.

Wednesday, May 1, 2013

MARKETS: Campo de' Fiori, Rome


For the first of my posts focusing on great MARKETS around the world, I feel compelled to start with what feels most like my "home market": Campo de' Fiori in Rome. I know there are those who claim that the Campo is a market for tourists, and increasingly over the years, the market has indeed started to cater to travelers and tourists, selling phallic pastas and aprons emblazoned with "anatomical" images of Michelangelo's David statue. But it's also most definitely a market for locals, and provides produce for some of the top restaurants in the city as well. I should know. I was a local there for many years, and have been shopping the market in Campo de' Fiori since I first moved to the 'hood in 1999. My ex-boyfriend is one of the top toques in Rome, and he bought produce there for his restaurant. As one of the first chefs to teach cooking classes in the city, I took students there to buy ingredients for our menus. I saw elderly Italian nonne picking over produce, and I ran into chef friends ordering cases of specialty baby peppers or fresh porcini mushrooms for their ristoranti. There were tourists, sure. But as with any market in Italy, the mercato di Campo de' Fiori is a central meeting place where people of all varieties come to enjoy the aromas and the scenery, to catch up with friends and gossip, and of course to buy food: home cooks, professionals, and tourists alike.



Campo de' Fiori, in Italian, means field of flowers, which this piazza once was. And it was here in 1600 that Giordano Bruno was burned at the stake for heresy, and where, six years later, Caravaggio (the first bad-boy Italian artist) killed a young man in a sword fight that ended in Caravaggio fleeing Rome for the rest of his life (sadly, only another 4 years). Today there's no statue for the murderous master of chiaroscuro, but there is one for Bruno, who overlooks the square from its center. These days, though, the only fights you'll see in the piazza are people haggling over the price of pomodori, or inebriated twenty-somethings fighting over young female tourists' attentions in the piazza's bars.

The market is a riot of color and noise, with the season's offerings on tempting display. As I always explained to my cooking students, Italy as a united country is a century younger than the U.S. Of course, as a place and a culture it's been around for thousands of years. But Italians tend to think of themselves even today as they always have, historically. They think locally. Regions and cities and towns have always had rivalries, teamed up to fight common enemies, killed each other's kings and overthrown each other's governments. And though all of these places, these regions, these kingdoms are technically united under the Italian flag and its government today (troubled as it is), these historic differences run deep. So instead of conjuring a coup, in modern times, these rivalries are translated to two places: the soccer pitches and kitchens -- for the most part, less dangerous than government overthrow. For the most part.


So, what does this all mean for food? Well, it's on display at the Campo market. Italians haven;t experienced the locavore movement like America has, because Italians never really strayed from eating and cooking locally in the first place. What you will see in the market are Roman artichokes, globe-shaped beauties instead of the tulip-shaped variety you'd find in Venice. (Venice! chu-puh!). The greens are local, bitter greens for which Rome is famous. The fiori di zucca are found at the end of the zucchine romanesche, which have vertical striations that make them different -- and better, of course! -- than zucchine from elsewhere in Italy. In fact, most everything you see here is grown within Lazio, Rome's region. The vendors prefer to sell strawberries from nearby Terracina. They want arugula ("rughetta" in Roman dialect) that grows wild along the road heading out of the city. They want to sell you pecorino Romano, not that other sheep's milk cheese from Sardegna or Tuscany. No. Here, you get what this wonderful city gives, and it gives a bounty. 


I have so many great memories associated with this market and its vendors, and the countless wonderful meals I was able to make from purchasing items from here. There's the charming father-son fruit and veggie sellers, always quick with a compliment, who have great puntarelle in cooler months. There's the woman with great tomatoes, in all shapes and sizes, that perfume the whole piazza when the sun warms their tender skins. There was the elderly "donna del bosco" as I dubbed her: she sold everything from the forest (bosco), from berries to earthy mushrooms. She must have passed away a few years ago, as she's no longer at her stand. I miss her. There's Anna and Erasmo, the couple who took me in as one of their own, feeding me delicious cheeses and salumi over the years (they're forever my source of the best ricotta di bufala around), and chatting away with me and my family and clients, offering hugs to everyone. And there are the butchers in the center of the piazza, who have always been warm to me, and always impressed clients with their capacity to cut the most tender, paper-thin slices of veal scaloppine for saltimbocca: no pounding needed.


But the ones I call "my guys"? The ones who will deliver to my home, and to my restaurant, the most exquisite ingredients (lots of) money can buy? The ones who let me film with a crew any time, 7 am or 2 pm, to get the shots we needed for various food shows over the years? The guys I'd sometimes pass by on my way home from a late night out, when they were setting up at 4:30 a.m., and we'd wave at each other and say "a dopo!" (see you later)? The ones who listened to me when I requested that they stock "strange" ingredients like cranberries at Thanksgiving, and lemongrass and cilantro throughout the year? The ones who offer me tastings of jewel-like fruits and baby cherry tomatoes so sweet they're like popping candies? Da Claudio, of course. Some Romans call this place "Da Bulgari" because it's pricey. But sometimes, you need to pay to get the good stuff. That's Claudio behind me in the photo, hamming it up for my Mom who was taking the picture ("Is this your beautiful sister?!") -- he's a real character, always yelling and selling and making a scene. But he's a good guy, and I've been a client for more time than I care to admit. And still, every time I go back, whether I've been away 6 days or 6 months, I always get a "bentornata!" (welcome back). The Campo will always feel like home to me.